around 1980 menko konings (em.) started the dutch underground formation s.m. nurse, first together with jos jak and later also with anneke stempher. s.m. nurse experimented with collage-like music and were inspired by n.y.-ultra, disco e.g. the band mainly performed in the amsterdam ultra-circuit (oktopus, paradiso), clubs and discotheques. they were played regularly on the famous radio programmes radionome and spleen and performed live on radio in the villa of the vpro in hilversum. they also contributed to the theme cassette turkish delight of the label ding dong and there was a cassette release on the label top tape. at the end of 1983, s.m. nurse split up.<vr />limited edition of 500 copies.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) – take your time…a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) – “the earth grid”…moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) – “his brief moment of clarity”…boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) – brightened horizon…a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensität aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits während der vergangenheit in der band cashpunk künstlerisch zusammengearbeitet haben.
das limitierte orange-transparente doppel-vinyl erscheint im klappcover, inklusive downloadcode.

bosh! matrixxman, who has appeared on labels such as dekmantel and unknown to the unknown, comes through utterly correct and most vertical with his debut album for sam valenti s ghostly international stable - by now an institution of electronic dance music worldwide.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

very sexy disco theme on fever zone

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

twenty-eight homespun stunners from the alamo city s scrappiest souleros. the royal jesters were the kings of san antonio s cross-cultural teen scene in the 1960s, soundtracking lovelorn slow dances with their heart-sick harmonies. for the first time, english oldies gathers the best early doo-wop, r&b, and blazing latin rock and soul from these tex-mex masterminds - a simmering melting pot of diverse regional flavors, best served hot.

“footwork”—the very word indicates a movement of the feet that is “work” (as in an effort to achieve). its joyous social party nature sits within a lineage of african american history that includes the infamous soul train dance tunnel and hip hop dance circles. however, as footwork continues to become more popular, we should not forget that at its essence it is a highly evolved battle form. this is the central theme one feels listening to the stunning “fingers, bank pads & shoe prints,” the second album from rp boo, the man credited with inventing the footwork genre with a 1997 track “baby come on” (recently re-released on the planet mu ep “classics vol. 1”).

galcher lustwerks second release on his own lustwerk music imprint presents more tracks off the revered blowing up the workshop promo mix, 100% galcher, as well as a bonus dub of the title track. these murky, chugging club anthems continue lustwerk s tradition of menacing synths, hard hitting percussion and smokey hip hop vocals.

top-balearic-compilation, zusammengestellt von 2 kennern der szene: chris coco, langjähriger dj und kurator der real ibiza serie, und jim breese, resident-dj im café mambo auf ibiza und produzent der ku de ta albumserie. durch und durch bezaubernde und inspirierende sounds von cantoma (aka café del mar-dj phil mison), nils frahm, afterlife, lisbon kid (aka rui da silva), nick & samantha (produziert von chris coco), u.v.a.

audiophile quality reissue on 180 gram vinyl, includes download code for the full album.

statue is a new percussion-based dance project erected by two unique drummers, tom gould and nicolaas oogjes. having become known for laying rhythmic foundations of seminal melbourne dance bands worlds end press and no zu, the pair have now joined forces to unveil statue, a strange new landmark in the dance music landscape. combining raw material from synthesizers, and a combination of drum machine and live percussion, statue is a monument to the human element of dance music culture. drawing upon inspiration from the organic rhythm of acts like floating points, pachanga boys and ricardo villalobos they have forged a deep, minimal and unique signature sound that has taken shape in this debut release. commissioned by cutters records, built casts a peculiar shadow on the dance floor. prepare to be moved by statue!

territories wold ex france, ex poland the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: blue / bleu / blau 1lp+cd

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

2015 repress - - - following on from the (unwanted) success of the former 2-step journeyman remixers first ep, the pair return to rip open a second and possibly third arsehole of truly cosmic proportions.

for our seventh excursion into sound, we bring you 2 weapons from different sides of the globe, but with a common theme.
we welcome to the label two extremely talented sound sculptors from mexico, kaban & di rugerio. both boast a string of innovative sounds released on some top notch labels, but here they have teamed up to bring us something really special. *overflow* is a swirling nemesis of a track, with crashing drums and tribal percussion flowing around huge electrical pulses that inject pure energy into the dancefloor.
boom merchant follows up last years hugely successful *stars/green symphony* with another perfect balance of rhythmic and melodic elements. *surge* is a track that always generates a huge reaction, built around a tight groove with plenty of action in the low end. it is literally smeared with electrical charge and doused in layers of harmonic goodness.
we hope these tracks put a smile on your face.

contributions by the likes of panama brown, roberto auser, gesloten cirkel and i-f staple hit by tandy ogmo!

nice price deal !!! shrinkwrapped gatefold 2x12 lp featuring alltime classic house / club tunes
bomb the bass - beat dis / s express - theme from s express / mickey oliver - in ten si t / ralphi rosario - i want you / marshall jefferson - move your body / black & white brothers - put your hands up / gala - let a boy cry / double dee - found love / wink - higher state of consciousness (tweakin acid funk)

this is the 20th anniversary 2015 expanded edition of one of soul jazz records earliest definitive releases: *nu yorica : culture clash in new york city – experiments in latin music 1970-77*, a stunning and ground-breaking collection of music bringing together latin, soul, jazz, funk and more from the melting pot of new york city in the 1970s.
out-of-print for more than ten years this new edition has been fully digitally remastered with new tracks, additional photography and is released as a new edition of two super-loud super-heavy separate volumes of double vinyl (download code included).
nu yorica! is one of soul jazz records most critically acclaimed albums of all time. the album features seminal latin artists such as eddie palmieri, joe bataan, machito, ocho, grupo folklorico, cortijo, ricardo marrero, cachao and many more.

we are pleased to announce the first of a special vinyl ep series, to anticipate some of the forthcoming rebirth releases. the first volume include music from c.vogt & patrick jeremic, villanova and brisa. c.vogt follows the success of the infamous in 2014 with after all it s you , a collaboration with his fellow producer patrick jeremic. son of the violinist k.vogt and a great musician, chriss started studying the piano and saxophone and rapidly entering walls of the world of electronic music ! live drums, bass and another fantastic rhodes theme, this is pure class ! adrien and marco aka villanova hail from france and have really put their sound on the map in recent times. they have recently released music on labels like my favorite robot, cocoon and no19 music and recently played clubs like rex in paris and space in ibiza. monk is the debut track for rebirth records to anticipate the release of their ep, a monster piano number ready to fire the dancefloors....

brilliant four track vinyl with a great variety

helsinki - suomis dj candle in the wind with classic driven acid house lp on finnish iron magnesium records. traditional ingredients such as tr-808 and latin cousin 727, monophonic synths, african and 80s guitars are included. note this is not purist tb-303 acid house, but real acid house record with that little finnish twist on melodies. acid is in your head, dont forget that.

we have come to expect the unexpected from aybee. always showcasing different sonic tapestries his burek debut holds true to this theme.

courtesy of just listen records and cpr (caxton press) emcee killa and grim reaperz combine to bring you their brand new project zapatista. dervied from the zapatista movement in chiapas, mexico during the 1990s both artists have adopted a philosphy of mind and music through the movements of the zapatistas with an aim to enlighten people of their existence.

the maghreban is new to house music, and doesnt really listen to house music, which isnt necessarily a bad thing. he has worked extensively in other genres under other names. looking at house from these sideways perspectives perhaps gives him an interesting angle on it. this second release sees the maghreban expand his sonic palette somewhat, taking in some african sounds but also continuing along the vintage theme of his first 12 inch. radio play from benji b (bbcr1), thristian (nts), support from ben ufo (rinse/hessle), brian not brian (going good/kristina records), gatto fritto (international feel), sasa (in flagranti, nts), leri ahel (mutant disco).

beguilingly fizzy electro vibes kick off the debut effort from the latest addition to nous ever expanding plethora of talent.

the endurance club was launched in london on friday 13th november 2009 and ran as a regular party for the next three years. the aim was to treat electronic body music as an important genre in its own right rather than just a sub genre of industrial music, whilst linking it to early house and techno, belgian new beat and synthesizer dance music in general. body party is a tribute to all those that were part of the endureance club and to the artists that made the records we danced to.

its all about the bangin keeping with the theme of the ep, the duo lay down a maximum big room monster intended for the last wallflower as well as the serious party-animal. minimalistic 4×4 married to magical chords with the hot & cool vocal tradeoff. celebration techno. large mechanics (modulation dub mix) stripped & delivered proper by detroits own dj k1. straight, no chaser. alien fm mantra (station to station id) not a track, but a vocal id directly from the groups antenna/used as a dj tool voice over in sets. eerie broadcasted vocal concept and description left clear of music. a puzzlebox recordings staple

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

falling ethics launches hands of glory. it is the fourth release, a new work from label boss p.e.a.r.l. he combines techno sound of the nineties with industrial touches in the main theme.

karinas inaugural theme takes us to a temperate world where dreamy synths undulate across a hypnotic sunset sky. the glint of an acid tinged bass line bobs playfully between clicks & claps. the perfect breezy summer dance groove.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

having written the infectious theme song to the chicago party television series, we felt necessary to bring the pianist/composer into the foreground for his own proper two-parter. this very demo of -rush- made it into the hands of charles davis, who re-recorded the tune for a stray single on sutra records in 1982. included on ultra-high frequencies: the chicago party, -you bring me up- is completely unreleased and represents the pinnacle of early 80s r&b from chicago.

the soul notes imprint has never restricted itself to just one sound. ever since it emerged in late 2011, the basque county based outfit has shown several sides of its identity and has developed into a diverse and well balanced home. one of the labels usual suspects is cologne native, adryiano. after reaping some havoc with his efforts on the snx series early last year, adryiano has been crafting his down south ep (ironically) somewhere in the north rhine-westphalian concrete jungle. the down south ep is buldging with deep sine basses, fine rhythmic synthwork and lavish but hefty beats. the title track showcases these exact things best. the essence of adryiano s latest effort is still somewhat hard to pin down. a lot of different moods are going on throughout the ep while the overall sounds maintains it s own glance. from the deep machinefunk on down south to the broken beats of feel what you do. all of these bits have a nice theme to them.

the groove brothers, aka jef k and rhythm&soul, keep things moving with the second release on their fledgling label, on a mission records. it’s been seven months since the label’s debut, demonstrating the duo’s considered approach to their outlet, which has been set up to capture the true spirit of house music, basing its ideals on some of the industry’s most respected labels and keeping that timeless, classic ethos alive. this second release unites the label owners with a couple of newcomers to the scene. retaining the sultry outlook of the first release the groove brothers inject jazzy notes and smooth funky rhythms into their music, while mr ks and kub follow in a similar vein with their well-crafted contributions. ks expanding on the jazz theme, while kub takes a more sensual pathway. (words by marcus barnes)

surprisingly, it s been some four years since croat producer ilija rudman dropped his much-played debut album, the reveal, on bear funk. happily, true colours - his first outing on is it balearic - sees him in fine form, joining the dots between kaleidoscopic synth-funk, rubbery dub-disco, spaced-out boogie and glassy-eyed downtempo jams

the sophomore late night running release features a jazzy theme by aakmael and a more machine driven rework by appian on the a side. for the b-side the label has tracks by man of the moment anaxander and a tightly produced edit by michael zucker.

label head geddes releases his first full ep on nofitstate with suzie boos dark room presence headlining proceedings, german collective snuff crew step up on remix duties, injecting a grimier sensibility on their take whilst flip sides baby continues the darker theme, this time with an acidic tinge which alexkid locks onto in his remix which rounds off the release, making the 303 the theme of the track with josh caffes vocal refrain adding a hypnotic bent.

we are pleased to announce the release of dr burisch by perseus trax on crimes of the future. after releases on bunker, mos & chiwax (to name a few), the ep is a four track soundtrack to some forgotten alien abduction documentary... maybe. starting off with rainy tuesday and its skipping pitch shift melodies, and followed by lotus protocol and its almost richard d. hook. on the flip we have the title track, slow and building, very much the theme of the piece. the ep finishes with electrical surge, and its static crackle of radio interference and damaged power lines.

double vinyl.

prolific seattle producer jon mcmillion returns to nuearth kitchen with another crucial chapter in his epic tale of haunted house-music subversions. this ep offers four variations on a bizarre and engrossing theme incl. remixes by fred p and orson wells.

>diggin disco deep< is a new, deep-disco orientated offshoot of the successful editors kutz label. the target is locked and its no other than the dusty but not forgotten vinyl chests.

dk is back on antinote with a second record that exudes refinement and class a la dk, meaning: perfect pastel pads with sophisticated cowbells, tasteful toms, riviera playboy boogie bass lines and risqué drums.

vinyl only. box aus holz sublabel torben is back with two weird house tracks. you get it, when you play it out loud in the club. the reaction is always insane. supported by moomin, max graef, session victim, delfonic, marcel vogel, eddie c & god

never on a sunday is one of many names used by detroit s burden brothers otherwise known as octave one, a project that has been running since the early 90s. fans of detroit techno and house will already be familiar with the brothers output over the last 20+ years and day by day has long been at the top of the wants list for lovers of the motor city sound since it s 1992 release on 430 west.

jon hopkins begann seine musikalische laufbahn 1999 im zarten alter von 21 jahren. er arbeitete mit brian eno und david holmes zusammen, war an der produktion dreier coldplay-alben beteiligt und erhielt für sein album *immunity* 2013 eine mercury prize-nominierung. seine late night tales session klingt wie ein requiem für einen traumort, irgendwo zwischen himmel, hölle und dem überfluteten themse-delta. technobeats und verzerrungen mögen vorkommen, doch der blick des zuhörers wandert gefangen und verträumt über die weiten eines offenen ozeans bei nacht. wir begegnen den komponisten nils frahm und ben lukas boysen, den warp-acts bibio und darkstar, jonsi & alex von sigur ros, den grace jones-samplern holy other, sowie künstler wie four tet, alela diane, school of seven bells, health und david holmes. garniert wird diese außergewöhnliche zusammenstellung mit einem exklusiven jon hopkins pianocover des yeasayer-songs *i remember*, sowie mit einer spoken-word-erzählung des produzentenkollegen rick holland.
die doppel-lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inklusive bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12 inch größe.

sfx recordings is proud and happy to introduce their fourth vinyls release from rob duke. all tracks written with a personal touch and journey but all connected to the theme musical original personality of rob duke. definitely design for some fat grooving and deep smart hypnotic music experience.

stockholms dungeon acid returns with one of the strangest, nastiest acid records to date.carnal knowledge is caveman techno, one chord hammered with hypnotic precision, a two-note acid line adding an air of polyrhythmic mystery. the heavily processed sounds of copulation comprise the bulk of the atmosphere, the whole thing feeling like an alien, updated version of lil louiss immortal french kiss. the instrumental version is a slightly swingin’ variation on the same theme. dungeon acid principal jean-louis huhta is known for editing the sweetest parts from his hardware enduro-jams. the bonus beats title for b2 is a bit of a misnomer in fact, these are the sounds of mutant, futuristic lovemaking in all their glory, perfect for sexing up otherwise sterile dance music. get some!